Thursday 4 July 2013

1st Bullecourt, lamb, and beer

Lamb and beer – what could be more Australian? On a freezing January night in the Pas de Calais, I ate Flemish lamb casserole, cooked with beer, and thought about Australian history. We were travelling in France, and had spent the day walking the field of battle at Bullecourt, a village 15 km southeast of the market town of Arras. We were on the trail of family history – not mine, but my former wife’s. Her great uncle Harry had been part of the 1st Battle of Bullecourt, 11 April 1917.

Part of a major offensive mounted by the Allies to break the German defensive line on the western front, the first battle of Bullecourt was notable for a few things. It was one of the first times that tanks had been deployed on the battlefield. However, in 1917 there was no tactical, operational, or strategic doctrine on how to deploy tanks. There weren’t many tanks either, and they were seen as infantry support tools. At Bullecourt, their role was to crush the wire barricades of the Hindenburg Line, for the infantry to then occupy. In a remarkable stroke of optimism, cavalry squadrons were concentrated behind the infantry, ready to exploit a breakthrough and wreak havoc in the German rear. As it happened, the tanks were mechanically unreliable — some broke down before reaching the start line. They were very slow, and soon outpaced by the infantry. The tanks’ slow pace meant that they were highly vulnerable to artillery fire. And so, on the day, tanks made little impact on the battle. There was no breakthrough. The cavalry was stood down.

However, Australian infantry from the 4th Division achieved a remarkable feat. C. E. W. Bean, the official Australian war historian, commented:

“the 4th Australian Division had achieved what most soldiers then in France would previously have believed impossible — broken, without artillery barrage, the Hindenburg Line”.

Great uncle Harry’s story is typical of so many young Australians of the day. He grew up in a strict Methodist family, living on an orchard block near Richmond, northwest of Sydney. There is a remarkable body of information on individual diggers available from the Australian War Memorial. We read, fascinated, official records of his enlistment and training, then shipping out from Australia as a “Six Bob A Day Tourist”. He arrives in Suez, and quickly appears on the sick parade lists — with a dose of the clap. Given his age and conservative background, we speculate that the courtesans of Suez were probably his first ( and only?) sexual experience.

He ends up in France, a lone New South Welshman surrounded by Sandgropers, in the 48th Battalion, 1st AIF — the “Joan of Arc” battalion. The nickname is not patriotic, but a wry pun. And so Harry was part of the assault by the 4th Division AIF on the Hindenburg Line, immediately east of the small village of Bullecourt. Despite problems with the tanks, things went well, largely due to good tactical command, and the attacking infantry occupied the German lines. Confusion about supporting artillery fire, however, left them vulnerable to counterattack, and, after some hours, the 48th Battalion position was untenable. They withdrew. Bean again:

"a full hour after every other battalion had left the trenches, the 48th came out — under heavy rifle and machine-gun fire, but with proud deliberation and studied nonchalance, at walking pace, picking their way through the broken wire, carrying a proportion of their Lewis guns, carefully helping the walking wounded, and with their officers bringing up the rear. Wherever Australians fought, that characteristic gait was noted by friend and enemy, but never did it furnish such a spectacle as here. For ten minutes the attention of half the battlefield was held while, leisurely as a crowd leaving its daily work, the 48th drew clear”.

Despite his status as Official War Correspondent appointed by the Australian government, Bean was often less than objective, particularly in his advocacy of the Australian digger. And this is a typical example. Nevertheless, he paints a compelling picture of the 48th Battalion’s retirement that day. Even if he makes it sound like a crowd leaving the WACA after a long day of cricket. 

Great Uncle Harry was wounded at Bullecourt. Given the nature of his wounds — gunshot to the hip and buttock — we speculate that they were received during the withdrawal of the 48th from the Hindenburg Line. He was invalided off the battlefield, spent months in a rehabilitation hospital in England, and was eventually repatriated back to Australia, before the Armistice, declared medically unfit. He lived quietly on the farm at Richmond with his mother. And he died, still a young man, a few years later, never having fully recovered from his wounds — a hidden casualty of WWI. 

We wandered across the battlefield on that cold day. Desolate, windswept chalk downs, intensively farmed; all signs of the war long gone.
Looking from the Allied lines toward the Hindenburg Line, in the distance
We marvelled at the notion of crossing ground as open as this under enemy fire — there is no cover. Bullecourt village has strong Australian connections — there is Le Canberra café, a Rue des Australiens, and a bronze slouch hat memorial.


Just outside the village is a big official Australian war memorial, with a life size bronze digger.
Perhaps more interesting is the small shrine, about half a kilometre east of town, marking the spot where the Hindenburg Line crossed the road. It’s around here that Harry and his mates sheltered after taking the German positions.
Memorial on the Hindenburg Line at the Riencourt road, looking towards the Allied lines
Back in Arras, we see wattle fronds in a florist’s shop, and wish we had taken some to leave on the roadside memorial. After a drink, we warm up with lamb stew. It’s a typical dish of the region.  We wonder if Harry and the others might have eaten such a thing when they were bivouacked in the area. As a change from bully beef. It is rich, warming, delicious.

This cold winter, remembering all this years later, I find a bunch of recipes on the net. The common theme is braising some lamb and root vegetables in beer. A number of recipes — mainly American — swap out the lamb for beef. Americans just don’t seem to get lamb, do they? But I stick with lamb. And a tasty Belgian dark beer. Cooked slowly, it is tender, succulent and warming in the depths of winter. Add a green vegetable. As it was a Flemish dish, I go for Brussels sprouts — that most maligned of vegetables.



It went well with more beer. And brought back a flood of memories about my trip through Flanders, and the young Australian men who had died there.

Sunday 23 June 2013

Soup from Karelia

On a cold lunchtime in Christmas week, I stepped from a train in eastern Finland, into sunshine. Helsinki, three hours westerly, had been cloudy and snowbound all week. This was the first time I had seen sunshine since Bondi Beach, on the day of my flight. Pale, watery, low on the horizon, but definitely sun – I had a shadow again.

I had come to Imatra – playground of empresses and aristos for 300 years – to see a dam. And a church. But first – lunch! I was hungry. Imatra could wait. A cosy table at the Buttenhoff. "Was I cold? Would I like a hot rum toddy before lunch"? Well – yes to both. With the rum under my belt, circulation restored, she came back – there was lunch a la carte, or a set menu of Finnish Yuletide specialties. Well, no brainer - I’ll have the Christmas specials, thank you. It was a wonderful meal. But of all the delicious things I ate that day, the one that stuck with me longest was the mushroom soup. Steaming hot, rich, wonderful, full of mushrooms. I decided on the spot that soup would come from my kitchen, once the weather in Sydney cooled down a bit.

Imatra. The district was an early watering hole for the Russian nobility. Catherine the Great and her court visited in 1772, and tourism has been a major industry ever since; the Imatrankoski Rapids were the draw card. By the turn of the 20th Century, grand hotels lined the river bank above the rapids, and Imatra had become a popular honeymoon destination. These days, besides tourism, the town is dominated by the hydroelectric industry. It even gets into the town’s coat of arms.
 
The key to understanding all this history and geography lies in the geology. As usual. In a country that is very flat, Imatra lies on one of the major topographic features dominating southern Finland. The Salpausselkä ridge system is a glacial terminal moraine – a ridge of gravel and sand that formed at the edge of the Baltic ice sheet during the last ice age, and was left behind as the glaciers retreated, about 12,000 - 10,000 years ago. The ridge lines are up to 100 m above the surrounding landscape, run for hundreds of kilometres, and have been major migratory routes throughout prehistory.
 
Today, the modern highway and railway systems follow the high ground of the Salpausselkä ridges, skirting the strew of lakes and mire to the north. From my train, high on the moraine ridge, I had seen out on both sides, over the never-ending forests and frozen lakes of eastern Finland. Only a few rivers breach the ridge line, including the Vuoski River at Imatra, where the ridge line provides head for the impressive rapids, and for the hydroelectric industry.

Modern Imatra had little to show of its interesting past. Like much of eastern Finland, it was devastated by conflict in the early 1940s – the Winter War and Continuation War, as the Finns call WWII. I suspect little was left standing. And as for the dam, and the church? I didn’t see either of them. Imatra is very spread out – from the dam to the church is about 15 km. I hadn’t yet got used to the northern winter’s short days, and by the time I had finished lunch and a short stroll around town, it was almost dark. I’ll just have to come back in summer ...
The church I wanted to see is the Church of Three Crosses, designed by Alvar Aalto, Finland’s leading modernist architect, in 1953. It has his characteristic, highly articulated roof form.
 
The dam is on the Vuoski River, near the town. Enough for another visit.
 
So, the mushroom soup. Really simple. I sweated some finely chopped onion and garlic; sautéed a load of finely sliced big mushrooms (“flats” if you can get them – more flavour than baby button mushrooms). I added some dried porcini that I had soaked in boiling water. Simmered in chicken and vegetable stock, and seasoned with salt, pepper, lemon zest, and a dash of lemon juice. A little cream to soften the texture, and my soup was perfect. Dead easy, and perfect on a cold midwinter day. And full of reminiscence about Finland.
 

Saturday 23 March 2013

The First Church of Bruce

Bruce Springsteen played three nights in Sydney in March 2012. This was a series for newcomers, and the faithful — the acolytes of the cult of Bruce Springsteen. It is 10 years since his last concert in Sydney, in late March 2003. That was a different, more sombre time. The confected Gulf War 2 had commenced the day before. In Sydney, and around the world, we had marched in protest, to no avail. Wars come and go; hard times, and good times, come and go. Bruce Springsteen, seemingly, goes on forever. And now, with all of us 10 years older, he was back. The 2003 show was the infamous “power failure” concert, where power completely cut out, mid-song, four times during the gig. It was time for Sydney to redeem itself.

E Street Band concerts typically start in darkness, with Bruce counting the band in. “Hello. Sydney! One, two, one two three four” and we’re off. Coming the day after St Patrick’s Day, Monday night was different. With a single spotlight, Sooze Tyrell’s Irish jig fiddle kicked off the set, and the Sydney season, with American Land. What came next was three nights of incredible showmanship. Bruce is getting on — he’s 63. He doesn’t let up for the whole 3 hours + of these shows — bellowing, cajoling, dancing, running. Sweating. Touching; shaking hands with what seems like a large proportion of the audience. Hauling himself off the stage floor with the microphone stand. Amongst some set pieces, crowd surfing comes early each night, as he makes his way along catwalks to the back of the pit, then is conveyed by the upheld hands of the faithful, back to the stage, singing the while.

The atmosphere is quasi-religious. This IS the First Church of Bruce; we are his true believers. Miss Annie, my companion at the first two shows, attending her first ever Bruce concert, commented that she felt she was in a small minority — not being a Brucehead. By the end of the 2nd night, she was, I suspect, on her way to conversion. Her conversion was aided by a miraculous intervention. Passing through the turnstile on Wednesday night, the mechanism caught and tore her dress. In front of the arena manager. Who promptly upgraded our tickets to some of the best in the house — certainly the best tix I have EVER had at a Bruce show. I’m sticking with her in future. Halleluiah!

As the faithful, we know just when to cheer; when to throw our fists in the air, shouting “Tramps Like US”; when to call out “Bruuuuuuuuce”, in a sustained bellow that sounds like booing to the uninitiated. When to tell Bruce about the “shark infested waters” that surround Australia. All the familiar elements are there — the crowd placards requesting favourite songs; the sponging of his fevered brow, which becomes more frequent as the night wears on. On Wednesday, Nils Lofgren took it one step further, anointing a kneeling Bruce, his guitar, wireless connection, the lot, in a spontaneous baptism.

Bruce, and the band, whip up the fervour in non-stop sets that are finely tuned, with enough light and shade to build, sustain, lower the mood multiple times before the finale and the seemingly endless encores of standards. Amongst the sets are many stand-out moments. The chill and goose bumps that arise during the early verses of The Ghost of Tom Joad. This is a song that has undergone a metamorphosis over time. I originally heard it as a solo, acoustic number on the Tom Joad tour in 1996. It was gently haunting. Now, it starts quietly, but builds to a roaring, angry finale, with Tom Morello’s guitar frenzy. Just as the standard Born in the USA was turned on its head, getting a reflective, acoustic treatment of the original electric number, the reverse process in this case has also bought new meaning and expression to this song.

Waiting on a Sunny Day had originally struck me as a bit naff, when I first heard it performed live on, the Magic tour. Bruce concerts have always had a bunch of feel-good, jaunty roadhouse numbers; familiarity and a bit of rejigging has made this one of the big sing along songs in the repertoire. Shackled and drawn is another rollicking sing along.

My City of Ruins has also morphed, into a slow Curtis Mayfield blues-style, gospel-inspired moment of reflection about who has come and gone — “from our ghosts to yours”. It was simple and magnificent. Old ghost re-appear in the set piece show closer, Tenth Avenue Freezeout — when the line “And the Big Man joined the band” triggers a video featuring frozen moments of Clarence Clemons and, briefly, Danny Federici. And you could hear a pin drop in the room.

But all the set list writing skills in the world can go for nought when audience sign requests shoulder their way into the mix. On Wednesday, he took four in a row, saying as he scanned the offerings “Man, you’re tempting me!”. These always amaze, with the band — and the instrument techs — kept on their toes. Choosing The Promised Land required a blues harp, in the right key, to be delivered onstage in an instant. It was. The transitions from song to song are seamless.

These shows were a chance to assess the new band arrangements. Clarence Clemons and Danny Federici died after the Magic tour; also missing for this tour were Miss Patti Scialfa, and Steve van Zandt, making a film in Norway. Clarence has been replaced by his nephew Jake Clemens, who fill the Big Man’s shoes admirably. Standing four square, astride the stage, he is commanding in his frequent sax solos. Charles Giordano ably replaces Danny Federici on keyboards and gets some piano accordion solos in the Seeger Sessions end of the repertoire. The original E Street Band is now augmented by a large brass section, additional percussion, and backing vocals. Sooze Tyrrell was doubling on acoustic rhythm guitar in Patti Scialfa’s absence. The new band format lies somewhere between the E Street Band of old and the Seeger Sessions Band, and works well. The additional horns get some exciting moments. Nils Lofgren continues to supply searing guitar lines. He has always been the guitar master in a band of very competent guitarists. At times he plays second fiddle to Steve van Zandt’s replacement guitarist Tom Morello and his flamboyant solos, but comes back with a vengeance. And whirls like a dervish.

By Friday, the mood was up even more. That day was the 10th anniversary — to the day — of the power failure concert. Bruce was in a party mood. Sydney was out to show him a good time. The set list was shouldered out of the way by a string of audience sign requests, and Bruce was ready to roadhouse. He has a body of songs — Darlington County, Dancing in the Dark, Working on the Highway — that will always sound best, heard in a crowded bar, your best girl sitting on your shoulders, beer held aloft. We got the roadhouse special on Friday. Up-tempo song followed up-tempo song, and we were on our feet. What a blast! About half way through the set, the end seemed inevitable — Rosie herself was going to come out tonight. And so it came to pass. As the set-piece finale of Tenth Avenue Freezeout came to a cataclysmic, banging finish, one look said that Bruce was not yet done. He prowled the catwalk, found the inevitable audience sign: Rosalita. So, 10 years after he broke the self-imposed, decade-long Rosalita drought at the power failure show, Rosie came out last Friday night. And the house erupted. It was a great end to a signal set of shows, that swept the repertoire and played on all our emotions, using his extraordinary powers as a performer, musician, band leader.

When the Sydney concerts were announced, it took me — oh, about 4 seconds, I guess — to know that I’d be going to as many shows as I could. When I got tickets to all three shows, I was astounded, excited. Reactions varied. Friends know my passion; the ex — who is a bigger tragic than I am — showed no surprise. After all, she had tix for all three as well. Other people had more varied reactions. Some were doubtful; some thought I was mad. After going to all three, I am SO grateful I splashed out. These are once-in-a-lifetime experiences. Never to be repeated. Maybe it’s a bit like train spotting to the outsider, but the minutiae of the changes from show to show fascinate, provide endless grounds for speculation. I LOVED being at all three. Tragic — that’s me. I’ll be feeling good for a few weeks, thanks for asking.

These shows were a Jamboree for the faithful — a communion of the First Church of Bruce. They were a rock and roll party; a rock and roll exorcism; a rock and roll bar mitzvah. They were wonderful; may they continue. The Chosen One looked out over his congregation, and saw that it was Good. Long may Bruce preside over his flock. Halleluiah. Amen.

Set lists

Monday 18 March 2012 — Tom Joad’s Goosebumps

American Land

Prove It All Night

Adam Raised a Cain (Sign Request)

Wrecking Ball

Death to My Hometown

Hungry Heart (Crowd Surf)

My City of Ruins

Spirit in the Night

High Hopes (The Havalinas cover)

Youngstown

Candy's Room

She's the One

Pay Me My Money Down

Shackled and Drawn

Waitin' on a Sunny Day

The Rising

The Ghost of Tom Joad

Badlands

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Thunder Road

Born to Run

Seven Nights to Rock (Moon Mullican cover)

Dancing in the Dark

Tenth Avenue Freeze-Out

 

Wednesday 20 March 2012 — Wardrobe Malfunction

Devils & Dust (Solo Acoustic)

Last to Die (Tour Premiere)

The Ties That Bind

Darkness on the Edge of Town

Wrecking Ball

Death to My Hometown

Out in the Street (Crowd Surf)

Does This Bus Stop at 82nd Street?

The Promised Land (Sign Request)

Cover Me (Sign Request)

No Surrender (Sign Request)

I'm on Fire (Sign Request)

My City of Ruins

High Hopes (The Havalinas cover)

Because the Night

Open All Night

Shackled and Drawn

Waitin' on a Sunny Day

Lonesome Day

The Ghost of Tom Joad

Badlands

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Jungleland

Born to Run

Bobby Jean

Dancing in the Dark

Detroit Medley

Tenth Avenue Freeze-Out

 

Friday 22 March 2012 — To the Roadhouse

We Take Care of Our Own

Wrecking Ball

Night

Death to My Hometown

Hungry Heart (Crowd Surf)

My City of Ruins

Growin' Up (Sign request)

The E Street Shuffle

Prove It All Night (Sign request)

Trapped (Jimmy Cliff cover)(Sign request)

The River (Sign request)

Pay Me My Money Down

Working on the Highway

Darlington County

Shackled and Drawn

Waitin' on a Sunny Day

Backstreets

The Ghost of Tom Joad

Badlands

Thunder Road

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Born in the U.S.A. (E Street Band version)

Born to Run

Dancing in the Dark

Tenth Avenue Freeze-Out

Rosalita (Come Out Tonight)